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Early modern theatricality
Title statement Early modern theatricality / edited by Henry S. Turner. Publication Oxford : Oxford University Press, 2017. Phys.des. 1 online resource (xiv, 621 pages) : illustrations (black and white). ISBN 9780191843822 (ebook) : No price Edition Oxford twenty-first century approaches to literature Oxford handbooks online Note Previously issued in print: 2013. Internal Bibliographies/Indexes Note Includes bibliographical references and indexes. Contents Generalization / Henry S. Turner -- Games / Gina Bloom -- Festivity / Erika T. Lin -- Occasion / Scott A. Trudell -- Optics / Mary Thomas Crane -- Ekphrasis / Joel Altman -- Dumb show / Jeremy Lopez -- Indecorum / Ellen Mackay -- Desire / Madhavi Menon -- Formaction / Simon Palfrey -- Now / Scott Maisano -- Stage / Laura Weigert -- Eventuality / Michael Witmore -- Duel / Paul A. Kottman -- Hospitality / Julia Reinhard Lupton -- Becoming-Indian / Jonathan Gil Harris -- Poor / Robert Henke -- Foreign / Susanne L. Wofford -- Mobility / Anston Bosman -- Honestas / Phil Withington -- Reading / Ann Baynes Coiro -- Passions / Blair Hoxby -- Interiority / Richard Preiss -- Off-stage / Peter Womack -- Scene / Bruce R. Smith -- Lines / Paul Menzer -- Source / Stephen Guy-Bray -- Intertheatricality / William N. West -- Skill / Evelyn Tribble. Notes to Availability Přístup pouze pro oprávněné uživatele Audience Specialized. Another responsib. Turner, Henry S., Subj. Headings English drama - Early modern and Elizabethan, 1500-1600 - History and criticism. * English drama - 17th century - History and criticism. * Theater - England - History - 16th century. * Theater - England - History - 17th century. Form, Genre elektronické knihy electronic books Country Anglie Language angličtina Document kind Electronic books URL Plný text pro studenty a zaměstnance UPOL book
The original essays in Oxford Twenty-First Century Approaches to Literature mean to provoke rather than reassure, to challenge rather than codify. Instead of summarising existing knowledge scholars working in the field aim at opening fresh discussion; instead of emphasising settled consensus they direct their readers to areas of enlivened and unresolved debate. Following the models established by previous volumes in the series, Early Modern Theatricality launches a new generation of scholarship on early modern drama by focusing on the rich formal capacities of theatrical performance.
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