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The representation of women in a Czech soap opera: The clash of genre conventions and feminist ideals in the Czech soap opera Velmi Krehke Vztahy

  1. Title statementThe representation of women in a Czech soap opera: The clash of genre conventions and feminist ideals in the Czech soap opera Velmi Krehke Vztahy [rukopis] / Tereza Chalupová
    Additional Variant TitlesRepresentation of women in czech soap opera
    Personal name Chalupová, Tereza (dissertant)
    Translated titleThe representation of women in a Czech soap opera: The clash of genre conventions and feminist ideals in the Czech soap opera Velmi Krehke Vztahy
    Issue data2011
    NoteVed. práce Vladimír Polách
    Another responsib. Polách, Vladimír, 1977- (thesis advisor)
    Another responsib. Univerzita Palackého. Katedra historie (degree grantor)
    Keywords media * feminism * gender * soap opera * Velmi Krehke Vztahy * genre * media * feminism * gender * soap opera * Velmi Krehke Vztahy * genre
    Form, Genre diplomové práce master's theses
    UDC (043)378.2
    CountryČesko
    Languageangličtina
    Document kindPUBLIKAČNÍ ČINNOST
    TitleMgr.
    Degree programNavazující
    Degree programCultural Studies
    Degreee disciplineEuroculture
    book

    book

    Kvalifikační práceDownloadedSizedatum zpřístupnění
    118365-411852279.pdf201.8 MB07.01.2011
    PosudekTyp posudku
    118365-ved-548832848.docPosudek vedoucího
    118365-opon-109129338.pdfPosudek oponenta

    This study deals with the conventions of soap opera in the context of the Czech Republic by investigating the program Velmi Křehké Vztahy (Very Fragile Relationships, VKV) and adresses feminist arguments concerning the structure and content of the program. Two main hypotheses were examined. The first suggested VKV follows a previously established soap formula and the second, that these conventions and formula are inherent in supporting a patriarchal society. Overall, eviedence was gathered that showed VKV to fit an international standard of soap operas but with some intresting deviations. For the second hypothesis, specific examples were found in VKV which illustrate the clash between gender and genre, and the importance this holds for identifying the media as a supporter of the patriarchal system.This study deals with the conventions of soap opera in the context of the Czech Republic by investigating the program Velmi Křehké Vztahy (Very Fragile Relationships, VKV) and adresses feminist arguments concerning the structure and content of the program. Two main hypotheses were examined. The first suggested VKV follows a previously established soap formula and the second, that these conventions and formula are inherent in supporting a patriarchal society. Overall, eviedence was gathered that showed VKV to fit an international standard of soap operas but with some intresting deviations. For the second hypothesis, specific examples were found in VKV which illustrate the clash between gender and genre, and the importance this holds for identifying the media as a supporter of the patriarchal system.

Number of the records: 1  

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