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A citizens' portrait
Title statement A citizens' portrait [rukopis] / María Paula O'donohoe villota Additional Variant Titles A citizens' portrait. Spanish citizenship in Francoist posters (1936-1945) Personal name O'donohoe villota, María Paula, (dissertant) Translated title A citizens' portrait. Spanish citizenship in Francoist posters (1936-1945) Issue data 2017 Phys.des. 100p. (26270words), 23 p.ilust : il., tab. + 1 CD ROM Note Ved. práce Martin Elbel Another responsib. Elbel, Martin (thesis advisor) Another responsib. Univerzita Palackého. Katedra historie (degree grantor) Keywords Propaganda * posters * Franco Regime * citizens * Propaganda * posters * Franco Regime * citizens Form, Genre diplomové práce master's theses UDC (043)378.2 Country Česko Language angličtina Document kind PUBLIKAČNÍ ČINNOST Title Mgr. Degree program Navazující Degree program Humanities Degreee discipline Euroculture book
Kvalifikační práce Downloaded Size datum zpřístupnění 00223448-523258673.pdf 34 6.2 MB 02.06.2017 Posudek Typ posudku 00223448-ved-173514266.pdf Posudek vedoucího 00223448-opon-955769591.pdf Posudek oponenta Průběh obhajoby datum zadání datum odevzdání datum obhajoby přidělená hodnocení typ hodnocení 00223448-prubeh-735492294.pdf 20.04.2017 02.06.2017 28.08.2017 1 Hodnocení známkou
Due to the duration of the Franco Regime in Spain, from the end of the Civil War to 1975, it is important to know its implications and impact on the citizens' identity. Hence, the goal of my thesis is to know the impact of the posters made by the official Francoist propagandistic apparatus on the Spaniards' identity, through an aesthetic and iconographical analysis. Thus, how the citizens are depicted and how there are established boundaries between 'good' Spaniards and non-citizens. To know the 'we' depicted on the posters. I will achieve my goal by analysing the main gaze reproduced and produced. The posters are cultural productions, their context of production and reproduction are linked, thus, they cannot be considered individually. Therefore, first of all, I will develop a historical contextualization of the Regime and a theoretical framework to develop a definition of propaganda. The second step will be to develop the visual analysis of the posters, from the aesthetics and iconographical approach. As I will analyse, the depiction of the citizens is linked to the own ideology and cultural system that the Regime established since its appearance, the very same day of the uprising.Due to the duration of the Franco Regime in Spain, from the end of the Civil War to 1975, it is important to know its implications and impact on the citizens' identity. Hence, the goal of my thesis is to know the impact of the posters made by the official Francoist propagandistic apparatus on the Spaniards' identity, through an aesthetic and iconographical analysis. Thus, how the citizens are depicted and how there are established boundaries between 'good' Spaniards and non-citizens. To know the 'we' depicted on the posters. I will achieve my goal by analysing the main gaze reproduced and produced. The posters are cultural productions, their context of production and reproduction are linked, thus, they cannot be considered individually. Therefore, first of all, I will develop a historical contextualization of the Regime and a theoretical framework to develop a definition of propaganda. The second step will be to develop the visual analysis of the posters, from the aesthetics and iconographical approach. As I will analyse, the depiction of the citizens is linked to the own ideology and cultural system that the Regime established since its appearance, the very same day of the uprising.
Number of the records: 1