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Early modern theatricality
Údaje o názvu Early modern theatricality / edited by Henry S. Turner. Nakladatel Oxford : Oxford University Press, 2017. Fyz.popis 1 online resource (xiv, 621 pages) : illustrations (black and white). ISBN 9780191843822 (ebook) : No price Edice Oxford twenty-first century approaches to literature Oxford handbooks online Poznámka Previously issued in print: 2013. Poznámky o skryté bibliografii a rejstřících Includes bibliographical references and indexes. Úplný obsah Generalization / Henry S. Turner -- Games / Gina Bloom -- Festivity / Erika T. Lin -- Occasion / Scott A. Trudell -- Optics / Mary Thomas Crane -- Ekphrasis / Joel Altman -- Dumb show / Jeremy Lopez -- Indecorum / Ellen Mackay -- Desire / Madhavi Menon -- Formaction / Simon Palfrey -- Now / Scott Maisano -- Stage / Laura Weigert -- Eventuality / Michael Witmore -- Duel / Paul A. Kottman -- Hospitality / Julia Reinhard Lupton -- Becoming-Indian / Jonathan Gil Harris -- Poor / Robert Henke -- Foreign / Susanne L. Wofford -- Mobility / Anston Bosman -- Honestas / Phil Withington -- Reading / Ann Baynes Coiro -- Passions / Blair Hoxby -- Interiority / Richard Preiss -- Off-stage / Peter Womack -- Scene / Bruce R. Smith -- Lines / Paul Menzer -- Source / Stephen Guy-Bray -- Intertheatricality / William N. West -- Skill / Evelyn Tribble. Poznámky k dostupnosti Přístup pouze pro oprávněné uživatele Určeno pro Specialized. Dal.odpovědnost Turner, Henry S., Předmět.hesla English drama - Early modern and Elizabethan, 1500-1600 - History and criticism. * English drama - 17th century - History and criticism. * Theater - England - History - 16th century. * Theater - England - History - 17th century. Forma, žánr elektronické knihy electronic books Země vyd. Anglie Jazyk dok. angličtina Druh dok. Elektronické knihy URL Plný text pro studenty a zaměstnance UPOL kniha
The original essays in Oxford Twenty-First Century Approaches to Literature mean to provoke rather than reassure, to challenge rather than codify. Instead of summarising existing knowledge scholars working in the field aim at opening fresh discussion; instead of emphasising settled consensus they direct their readers to areas of enlivened and unresolved debate. Following the models established by previous volumes in the series, Early Modern Theatricality launches a new generation of scholarship on early modern drama by focusing on the rich formal capacities of theatrical performance.
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