Bakalářská práce se zaměřuje na herectví v divadle jednoho herce a jeho rozdíl v různých divadelních tvaréch. Herectví je zkoumano vztahem herec-tělo-text a na příkladech výbraných inscenací je demonstrována podstata rozdílu a proměna herectví směrem k sebeprezentaci.Acting skills in the theater of one actor significantly changed during the Second Theatrical Reform. The main change is a shift in perception of an essence of artistic skills from embodiment of character to individual acting skills and self-presentation, and the main aspect of that is an anthropological vision in approach to artistic skills. The bachelor thesis will be focused on artistic skills in the theater of one actor in the period after the Performative Revolt and on the example of comparison of traditional approaches at presentation of monodrama and contemporary performance, as well as it will demonstrate the essence of changes. The student will proceed from theory and techniques of artistic skills as well as from literature that includes aesthetics of contemporary tendencies in post-drama theater and performance art. Theoretical aspects deriving from specifics of the theater of one actor will be demonstrated on selected theatrical productions and performances.