Tato bakalářská práce se zabývá porovnáním toposu chodce v surrealistické tvorbě Vítězslava Nezvala a tvorbě Jiřího Koláře 40. let. Metodologické východisko poskytuje text Poetika vyprávění autorky Shlomith Rimmon-Kenanové. Práce na pozadí toposu chodce sleduje proměnu literární avantgardy směrem ke Skupině 42 a její ztvárnění poetiky všedního dne.The main focus in this bachelor thesis lies on the topos of walker. It is methodologically anchored in the text by Shlomith Rimmon-Kenan titled Narrative fiction. The thesis compares transformation between surrealist poetics of V. Nezval and its progress to the "poetry of the everyday", typical for the poetics of J. Kolář and Group 42 in general. We found out that V. Nezval deals through this literary character with his own feelings and emotion. Emotion here work as a medium how to accept urban reality or how to transform it into "waking dream". J. Kolář in the contrary with this tends to intensify the importance of the moment. He does not transform anything, only focuses on fragments in the urban space, therefore is able to observe several perspectives at the same time.