Diplomová práce se zaměřuje na osobnost choreografa Roberta Balogha. Práce klade důraz na jeho choreografickou práci k inscenacím pro olomoucký baletní soubor a pro Baletní studio při Moravském divadle Olomouc. Součástí práce je mimo jiné Baloghův podrobný životopis a analýza tří reprezentativních inscenací v jeho choreografii a režii za účelem postihnout nejdůležitější rysy jeho choreografického rukopisu.The thesis deals with a dance-director Robert Balogh. It contains his life and work in the Czech Republic as well as abroad. The main focus is on his work in Olomouc theatre. The attention is drawn to Ballet studio by Moravian theatre in Olomouc, which was co-founded by Robert Balogh and Jitka Weiermüllerová. The biggest part of the thesis focuses on plays directed by Robert Balogh and showed in Olomouc theatre. The thesis shows content and cast of the plays as well as how Balogh?s plays were received by the critique and the audience. There is an analysis of three titles Queen (2007), Macbeth (2009) and Frida (2011) which helps the evaluation.